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As alive as a Godard movie, this lost classic of ’60s French literature is back
As if the reader were riding shotgun, this intensely vivid novel captures a life on the lam. “L’astragale” is the French word for the ankle bone Albertine Sarrazin’s heroine Anne breaks as she leaps from her jail cell to freedom. As she drags herself down the road, away from the prison walls, she is rescued by Julien, himself a small-time criminal, who keeps her hidden. They fall in love. Fear of capture, memories of her prison cell, claustrophobia in her hideaways: every detail is fiercely felt.
Astragal burst onto the French literary scene in 1965; its fiery and vivacious style was entirely new, and Sarrazin became a celebrity overnight. But as fate would have it, Sarrazin herself kept running into trouble with the law, even as she became a star.�
She died from a botched surgery at the height of her fame. Sarrazin’s life and work (her novels are semi-autobiographical) have been the subject of intense fascination in France; a new adaptation of Astragal is currently being filmed. Patti Smith, who brought Astragal to the attention of New Directions, contributes an enthusiastic introduction to one of her favorite writers.��
- Sales Rank: #169435 in Books
- Published on: 2013-04-26
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.20" l, .50 pounds
- Binding: Paperback
- 186 pages
From Bookforum
You can take the girl out of prison, but you can't take prison out of the girl. Anne, the nineteen-year-old narrator of Albertine Sarrazin's Astragal has liberated herself from "prison school" by jumping off a thirty-foot wall. Landing, she breaks her left ankle, but this injury may be less grievous than the lingering effects of her incarceration. She has a disturbing awareness that even now, on the outside, she is a creature of the institution. Eventually, her ankle having partially healed, Anne begins working as a prostitute and living on her own in a series of hotels. But her life still consists of waiting (for her boyfriend, for customers) and hiding (from the cops). Her agency, cramped by life both in and out of prison, is forced to reside in her impetuousness, her salutary arrogance, and, most significantly, in the way she frames her own experience—that is, in the prose we're reading, which is hard-boiled, funny, sometimes gross, oscillating between indolence and intensity, riddled with ellipses and exclamation points. It is wayward, hard to pin down; it can't be forced to behave. —Elizabeth Schambelan
Review
“The prose is hard-boiled, funny, sometimes gross, oscillating between indolence and intensity, riddled with ellipses and exclamation points. It is wayward, hard to pin down; it can’t be forced to behave. There are associative leaps, synesthetic flights, and characters introduced without preamble or identification. Sarrazin brooked no exposition, no laborious knitting of circumstance to circumstance. One might call her style stream-of-consciousness, but that modernist term fails to account for the impression of Pop hyperreality that communicates itself through her steady drumbeat of allusions.” (Bookforum)
“With Astragal’s English reissue and Patti Smith’s new introduction, there is the hope, perhaps slight, that Sarrazin will find a new audience and, with it, a new kind of freedom.” (Sara Freeman - The Brooklyn Rail)
“Sarrazin’s career may have been tragically curtailed, but her legacy is a novel that grateful readers are discovering now, almost 50 years after her death.” (Pop Matters)
“The story ― drawn from Sarrazin’s own life ― of Anne’s escape from prison, subsequent incapacitating ankle break (the book is named for the bone she snaps), and arduous recovery, is so alive with Anne’s voice that reading it, one wants simply to remain in her presence, to sit by her bedside as she squirms, frustrated, towards recovery. Anne makes good company.” (Full Stop)
“Smith's essay and Sarrazin's crackling and incandescent prose make�Astragal�a gift, a memento of a decade that was both rough and radical, yet full of potential, and the testament of two astonishing lives, one real, one fictive, both self-invented and utterly extraordinary.” (Bookslut)
About the Author
Albertine Sarrazin (1937–1967) was a French-Algerian writer. At an early age she abandoned her studies and turned to a life of crime and prostitution. She wrote her first two novels in prison and died at twenty-nine.
Patsy Southgate (1928–1998) was an integral figure of both the 1950s Parisian literary scene and the New York School.
Patti Smith is a poet, performer, visual artist, and author of the National Book Award-winning memoir Just Kids. She has twelve albums, has had numerous gallery shows, and continues to give concerts of her music and poetry. Her books include Early Work, The Coral Sea, Witt, Babel, Auguries of Innocence, Woolgathering, Land 250, Trois, and many others. She lives in New York.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Astragal
By cortezhill
"The poor thing, he wanted to give me pleasure!" With these words, Anne, the young prostitute-narrator, dismisses a considerate "John" who wants her to experience some of the satisfaction he gets from going to bed with her. But Anne is incapable of any emotional involvement; since her own lover is in jail, she is obliged to work the streets to support herself.
We first meet Anne sprawled at the foot of a prison wall. Trying to escape, she jumped from a thirty-foot height, breaking her ankle bone, or astragal, from which this novel takes its name. Unable to walk, Anne crawls on her knees and elbows, yard by yard, toward the nearby highway to Paris. Picked up by a passing motorist, Julien, she immediately recognizes, by subtle signs, that he too is a habitual criminal. ("There are stigmata inperceptible to those who have not been in prison; a way of speaking without moving the lips... the cigarette in the hollow of the palm, the choice of the night to act...")
From this fortuitous encounter, we follow Anne from hide-out to hide-out, live with her through months of physical pain tempered by her growing love for the strong yet tender man whom chance had cast her way - Julien, who by his strength, and even his mere presence, strips all soridness from her life and, at long last, gives it a meaning. For Astagal is, more than an accurate portrayal of the lower depths, a love story: tender, poignant, and simple.
That Albertine Sarrazin herself spent nine years in prison; that, like her heroine, she escaped one night, broke her ankle in the fall, and spent several months clinging precariously to her freedom with the help of a man named Julien, is immaterial. What does matter are the dirt-stained, blue-lined notebook pages which survived the vicissitudes of so many cells and which, smuggled out of prison to a French publisher, turned a nineteen-year-old prisoner into the writer you are about to discover.
---from book's dustjacket
2 of 2 people found the following review helpful.
Very French
By Amazon Customer AMS
Quite a story, much of which concerns an ankle. It reminded me in many respects of existentialist writers like Sartre; it is very present-oriented, not like a chronicle of things past; things HAPPEN. Since I do not read French, this may began artifact of translation, but in any event, it makes for a compelling read.
2 of 2 people found the following review helpful.
Meditation on Marginality
By Suzanne M. Wheat
I can see why this book so affected Patti Smith as a young woman when she first read it. Strength, Courage, Misfortune and Marginality all rolled up into one piece in this poetic exploration of youth.
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